La Cenerentola
La Cenerentola
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La Cenerentola
Sat 17.05.2025
19:00–22:00
Cast
- Musikalische Leitung: Ulises Maino
- Inszenierung: Ilaria Lanzino
- Bühne & Kostüme: Dorota Karolczak
- Licht: Hubert Schwaiger
- Video: Herwig Baumgartner
- Dramaturgie: Christin Hagemann
- Chor: Johannes Köhler
- Don Ramiro: Pablo Martínez
- Dandini: Ivan Oreščanin
- Don Magnifico: Wilfried Zelinka
- Tisbe: Sofia Vinnik
- Clorinda: Ekaterina Solunya
- Angelina: Anna Brull
- Alidoro: Daeho Kim
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La Cenerentola
Fri 13.06.2025
19:00–22:00
Cast
- Musikalische Leitung: Marius Burkert
- Inszenierung: Ilaria Lanzino
- Bühne & Kostüme: Dorota Karolczak
- Licht: Hubert Schwaiger
- Video: Herwig Baumgartner
- Dramaturgie: Christin Hagemann
- Chor: Johannes Köhler
- Don Ramiro: Pablo Martínez
- Dandini: Ivan Oreščanin
- Don Magnifico: Wilfried Zelinka
- Tisbe: Sofia Vinnik
- Clorinda: Ekaterina Solunya
- Angelina: Anna Brull
- Alidoro: Daeho Kim
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La Cenerentola
Thu 26.06.2025
19:00–22:00
Cast
- Musikalische Leitung: Marius Burkert
- Inszenierung: Ilaria Lanzino
- Bühne & Kostüme: Dorota Karolczak
- Licht: Hubert Schwaiger
- Video: Herwig Baumgartner
- Dramaturgie: Christin Hagemann
- Chor: Johannes Köhler
- Don Ramiro: Pablo Martínez
- Dandini: Ivan Oreščanin
- Don Magnifico: Wilfried Zelinka
- Tisbe: Sofia Vinnik
- Clorinda: Ekaterina Solunya
- Angelina: Anna Brull
- Alidoro: Daeho Kim

Information
More detailsRossini’s version of the Cinderella fairy tale is not only a sparkling, energetic romp, but also a virtuoso celebration of voices.
With Anna Brull in the title role, the young Italian director Ilaria Lanzino examines the lively fairy tale world from a perspective that scrutinizes the supposed Barbie-style stereotypes of girls’ dreams.
After the loss of her mother, Angelina, known as Cenerentola, lives together with her immoderate stepsisters with her stepfather and ekes out a
bleak existence. Marriage to a prince? Unthinkable!
At that very time, however, Prince Don Ramiro has his servant Dandini look for a bride for him. In order to find the one who loves him for himself
and not because of his wealth, he stages an elaborate game of mistaken identity with daring deceptive maneuvers.
This may be able to confuse the eyes, but not the pure heart.
The plan works, true love triumphs: Cinderella and the prince are finally happily united. …
In an incredible 24 days, Rossini created the dramma giocoso, which not only impresses with beautiful bel canto cantilenas, fast-paced and breathtaking coloraturas and his typical roaring, lively ensembles, but also tells a story about the ideal form of love, which knows no external factors such as wealth or social status.
With a humorous twinkle in her eye, director Ilaria Lanzino examines the mechanisms inherent in the fairy tale between man and woman,
which the prince and his Cinderella no longer want to submit to in Lanzino’s interpretation.
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