Silk Stockings
Silk Stockings
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Silk Stockings
Sun 19.01.202515:00–17:45Cast
- Musikalische Leitung: Koen Schoots
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Boroff: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Fri 31.01.202519:30–22:15Cast
- Musikalische Leitung: Koen Schoots
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Boroff: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Wed 12.02.202519:30–22:15Cast
- Musikalische Leitung: Stefan Birnhuber
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Alexis: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Fri 07.03.202519:30–22:15Cast
- Musikalische Leitung: Stefan Birnhuber
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Alexis: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Fri 14.03.202519:30–22:15Cast
- Musikalische Leitung: Koen Schoots
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Boroff: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Sat 15.03.202519:30–22:15Cast
- Musikalische Leitung: Koen Schoots
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Boroff: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Sat 26.04.202519:30–22:15Cast
- Musikalische Leitung: Koen Schoots
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Boroff: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Thu 15.05.202519:30–22:15Cast
- Musikalische Leitung: Stefan Birnhuber
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Alexis: Michael Großschädl
- Markowitsch: János Mischuretz
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Silk Stockings
Fri 16.05.202517:30–20:15Cast
- Musikalische Leitung: Stefan Birnhuber
- Inszenierung: Max Hopp
- Choreographie: Martina Borroni
- Bühne & Kostüme: Marie Caroline Rössle
- Licht: Sebastian Alphons
- Dramaturgie: Christin Hagemann
- Chor: Georgi Mladenov
- Nina Yoschenko, genannt Ninotschka: Natalia Mateo
- Janice Dayton: Nina Weiß
- Steve Canfield: Michael Rotschopf
- Iwanow: Markus Murke
- Brankow: Falk Witzurke
- Bibinski: Christian Scherler
- Alexis: Michael Großschädl
- Markowitsch: János Mischuretz
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More detailsBook by George S. Kaufmann, Leueen MacGrath and Abe Burrows
German translation by Jens Luckwaldt
Based on the Greta Garbo film Ninotchka by Melchior Lengyel
Produced on Broadway by Feuer and Martin…
An “ode to the tractor”, silk stockings and a dutiful Soviet officer! Against the backdrop of the Cold War, this crude mixture gives rise to a hot love story between Moscow and Paris that transcends all internal and external boundaries.
Directed by Max Hopp, an actor known from theater, film and television, Paris becomes the dream backdrop for two lovers, who are known from TV series such as Crime scene or Wilsberg well-known Austrian actor Michael Rotschopf shows off all his charm as an American artist’s agent, while musical specialist Koen Schoots provides the right groove on the podium of the Graz Philharmonic Orchestra.
Soviet officer Nina Yaschenko, known as Ninotschka, is beautiful, brittle and doesn’t think much of things that aren’t practical.
As a deeply committed communist, she is sent from Moscow to Paris to bring the renegade Soviet national composer Boroff back home.
He is in danger of succumbing to the charm of the West and the advertising skills of American artist agent Steve Canfield, who wants to incorporate Boroff’s “Ode to the Tractor” into a movie as a musical fillet piece.
Initially principled, Ninotchka finally succumbs to Canfield’s advances in the city of love.
Gradually, however, she is plagued by remorse. Moreover, Canfield’s capitalist view of the world and her communist one seem incompatible.
She travels back to Moscow. Canfield, however, has already bought her 365 pairs of valuable silk stockings out of love – one for every day of the year. Determined, he follows her to the Soviet Union …
The opportunity to set Ernst Lubitsch’s film as an homage to Paris must have seemed like a stroke of fate to Cole Porter, as the American musical composer
had a lifelong soft spot for the French metropolis, where he had also met his own wife.
Shimmering and shimmering like silk stockings, Cole Porter’s songs blend the great Broadway sound with the Russian and French musical languages.